Appeal from the District Court of the United States for the Southern District of New York.
Before MANTON, SWAN, and AUGUSTUS N. HAND, Circuit Judges.
Appellants are the children of Theodore M. Tobani, now dead. Tobani's wife predeceased him. In his lifetime Tobani was employed as an "arranger" by the appellee's predecessor, Carl Fisher. An "arranger" is one who adapts the score of a musical composition so that it may be performed upon instruments or sung by voices other than those for which the composition was originally designed. His employment required him to deliver to his employer all arrangements prepared by him.
Appellants claimed eight original compositions by Tobani, but they were produced during his employment and pursuant to the contract of hire. All the compositions sued on were merely arrangements by Tobani. Some compositions so arranged were the copyrighted property of appellee's predecessor but most were in the public domain. The various pieces were arranged for band, orchestra, flute and piano or other combinations of instruments.
In 1928, eleven years after his employment ceased, to settle a dispute as to appellee's claim of ownership of the copyright renewals with respect to the musical works prepared by Tobani, a contract was entered into adjusting this dispute. By this agreement, Tobani acknowledged that these works were prepared by him pursuant to and in furtherance of his employment and he conveyed to his employer all such works, the copyrights therein and the right to apply for renewals. Tobani was to receive $25 per week for life and at his death his wife was to get $5,000 for her rights.
After his death Joseph Tobani caused renewals to be registered in his own name and as such registrant brought this suit along with the other children for copyright infringement because of a sale on June 14, 1934, of a copy of the orchestral arrangement of "La Balladora" and also two copies of the piano arrangement of the same composition. The original copyright of the orchestral arrangement expired May 3, 1934 and the piano arrangement May 31, 1934. The last printing of the piano version was in December, 1906 and the orchestral version December, 1920. The copies sold and those on hand were all concededly printed by the appellee and lawfully in its possession prior to the expiration of the original term of copyright.
Under § 24 of the Copyright Act of 1909 (17 U.S.C.A. § 24) the right to renew a copyright accrues and can be exercised only during the one year period "prior to the expiration of the existing term."
Although the contract of 1928 purported to assign to appellee all rights of renewal, it is not necessary for us to decide whether it was effective to accomplish that purpose.
The renewals in suit were taken out by the son, Joseph Tobani, in 1934 after his father's death, but he holds them for the benefit of Tobani's living children who are, therefore, proper parties to this suit.Silverman v. Sunrise Pictures Corp., 2 Cir., 273 F. 909, 19 A.L.R. 289.
The court below held that the appellee was entitled to renewals under § 24 and ordered appellants to turn the renewal registrations over to it. The primary issue on this appeal is who was entitled to the renewals.
Sections 23 and 24 of the Act of 1909, 17 U.S.C.A. §§ 23, 24, both deal with the right to renew. Section 23, however, applies only to copyrights taken out under that act, while § 24 applies to those originally obtained under the prior statute. Since all these renewals were for copyrights taken out prior to the Act of 1909, § 24 rather than § 23 is controlling. Section 24 provides: "That the copyright subsisting in any work at the time when this Act goes into effect may, at the expiration of the term provided for under existing law, be renewed and extended by the author of such work if still living, or the widow, widower, or children of the author, if the author be not living, or if such author, widow, widower, or children be not living, then by the author's executors, or in the absence of a will, his next of kin, for a further period such that the entire term shall be equal to that secured by this Act, including the renewal period: Provided, However, That if the work be a composite work upon which copyright was originally secured by the proprietor thereof, then such proprietor shall be entitled to the privilege of renewal and extension granted under this section: Provided, That application for such renewal and extension shall be made to the copyright office and duly registered therein within one year prior to the expiration of the existing term."
Appellants contend that Sections 24 and 62, 17 U.S.C.A. §§ 24, 62, should not be read together. Under § 62 it is provided that "in the interpretation and construction of this Act [title] * * * the word 'author' shall include an employer in the case of works made for hire". Under § 24 right to renew is given to the "author". To avoid the effect of these provisions, the appellants argue that Tobani was not an employee for hire as those words are used in § 62. But there is no sound basis for such an argument, particularly in view of the contract of 1928 which recognized Tobani as as employee of the appellee. Tobani was paid a weekly salary for his work. The general type of composition he turned out was specified by appellee. In these circumstances, appellee was an employer for hire and an "author" by virtue of § 62. Tobani was employed to furnish certain compositions, was paid therefor and the work became the property of his employer. Bleistein v. Donaldson Lithographing Co., 188 U.S. 239, 23 S. Ct. 298, 47 L. Ed. 460; Solomons v. United States, 137 U.S. 342, 11 S. Ct. 88, 34 L. Ed. 667; U.S. Ozone Co. v. U.S. Ozone Co., 7 Cir., 62 F.2d 881; Brown v. Molle Co., D.C., 20 F.Supp. 135.
The courts have held with respect to original copyright that an employer may be deemed the author by virtue of § 62. Yale University Press v. Row, Peterson & Co., D.C.S.D.N.Y., 40 F.2d 290; ...