This is an action for copyright infringement, breach of contract, and tortious interference with contract. Plaintiff Jaime Keeling alleges that defendants staged live productions of a show called "Point Break LIVE!" which Keeling claims to have written as a parody of the 1991 blockbuster "Point Break." Though Keeling had, for a time, licensed the work to defendants, defendants allegedly repudiated their license agreement but continued to stage unlicensed, infringing productions of the show.
Defendants, for the second time, move for summary judgment. This time they seek to either dismiss the complaint in its entirety, dismiss the complaint against defendant Ethan Garber, or only dismiss plaintiff's claims for statutory damages. Defendants' motion is denied in each of these respects.
I. KEELING'S COPYRIGHT INFRINGEMENT CLAIM IS NOT TIME -BARRED
Defendants argue that Keeling's copyright infringement claim, filed in December 2010, is time-barred because it came more than three years after defendants' allegedly-infringing performance of her work in January 2007.
A cursory reading of Keeling's complaint, however, reveals that this is not the performance that gave rise to this lawsuit. This lawsuit relates to a performance staged by defendants in January of 2008, one year later. Under copyright law, each infringing act is a distinct harm giving rise to an independent claim for relief. See Stone v. Williams, 970 F.2d 1043, 1049-50 (2d Cir. 1992).
Therefore, Keeling's infringement claim is not time-barred.
II. PLAI NTIFF'S DECISION NOT TO HIRE AN EXPERT WITNESS TO TESTIFY ABOUT PARODY LAW DOES NOT WARRANT DISMISSAL
Defendants suggest that expert testimony will be necessary to inform the jury about the legal meanings of "parody" and "fair use" and that, therefore, failure to hire such an expert to testify at trial warrants dismissal of the case. There is no basis in law for such a conclusion.
It is true, of course, that in cases where the factual basis of a cause of action is so far from the understanding of a lay person, an expert witness might be needed to explain that specialized area of knowledge to the jury. But this is crucially different from a case where it is the law, and not the facts that are complex. In cases like this, an expert is always available in the form of a judge. In fact, not only is it unnecessary for Keeling to retain an expert in parody law to instruct the jury, such legal instruction from the witness stand is actually impermissible. See Hygh v. Jacobs, 961 F.2d 359, 364 (2d Cir. 1992).
Thus, there is no merit to defendants' contention that the complaint must be dismissed for failure to secure expert testimony. Accordingly, because the court does not dismiss Keeling's copyright infringement claim, it retains jurisdiction over her related state-law claims.
III. A FACTUAL DISPUTE REMAINS REGARDING GARBER'S PARTICIPATION IN THE ALLEGED INFRINGEMENT
Defendants argue that Garber cannot be vicariously liable for copyright infringement allegedly committed by New Rock because he was not a corporate officer, did not control its actions, did not supervise the allegedly infringing activity, had no financial stake in the activity, and did not directly participate. But, to the contrary, there is ample evidence to sustain a genuine dispute about a number of these factual conclusions. Specifically, the evidence of record supports the conclusion that Garber was a minority owner of New Rock, that Garber knew that New Rock's business involved staging performances of the allegedly-infringing work, that New Rock sought approval from Garber before entering into business agreements and, crucially, that it was Garber who encouraged New Rock to repudiate its license with Keeling but to continue staging unlicensed performances of "Point Break LIVE!" in an effort to maximize profits.
Therefore, there remains a genuine factual dispute about whether Garber "profit[ed] from direct infringement while declining to exercise the right to stop or limit it." Metro-Goldwyn-Mayer ...